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tushantin

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I'm very much used to musing at other places, but I've decided to use that bit of musing here on dA instead as an attempt to get more involved with the community here. XD

So I've been reading Gary Faigin recently in order to start mastering my facial expression skills and stripping myself away from "anime-ishness". In the first few pages, he has described how consistently we have often focused on expressions in our art because it may make or break the entire mood of the painting. That's because, throughout our entire artistic history, regardless of the style of painting, artists have often strived to capture the "Movement of the Soul" — we honed our skills for thousands of years to be good at it, but we never seemed to reach perfection. And this quote by Leon Battista Alberti seems to perfectly encapsulate this phenomenon.

"Thus all the movements of the body should be closely observed by the painter. These he may well learn from nature, even though it is difficult to imitate the many movements of the soul. Who would ever believe who has not tried it how difficult it is to attempt to paint a laughing face only to have it elude you so that you make it more weeping than happy?"

It's fascinating to remember that the only reason artistic theories are so advanced today is because artists did not have a crutch initially. It took thousands of years to advance our drawing capabilities to its effectiveness, trying to achieve the near-impossible task of imitating the "movement of the soul", and the moment our technological advancement helped develop photography that does exactly what art has been striving for all along, art was starting to die... until folks like Picasso, Cezanne and Kandinsky came into the picture.

Imagine if we were smart enough to build a camera sometime in 200 AD, and by 400 AD everyone had smartphones.

Would we still have "The Martyrdom of St Lawrence"? Would we still have Michaelangelo?

Just some food for thought.

Even so, art hasn't died today. Perhaps because, as we've reached the digital age, all of the exploration that the giants of the past have made in every field can now be accessed at our fingertips. The various styles, ranging from Neo-Classicism to Romanticism to Cubism and Post-Modernism, can all now be blended in to produce the desired effect we need. This is something that Photography cannot do on its own, and instead takes inspiration from illustrators and artists themselves.

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I'm sorry if I haven't been able to submit the next page of Polar Detective the past couple of weeks yet (After all, the suspicious Ambassador is up to something, isn't he?) due to severe work loads on my head these days, especially since my boss is on vacation and I have a crucial panting to finish (and to find a way to kickstart my art career). So just a head's up that it might take another week or so till I recover from my burn-out, and I'll be back in action!

Until then, I have something amazing planned out. ;) Do wait for it!

I know the comic series has just begun. But so far, what are your thoughts to it?
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Before I get into this, a note to all Sherlockians: Go check out Andrew Lane's Young Sherlock Holmes book series if you haven't already! Thank you.

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I once compiled an essential list pertaining to systematic workings of Sherlock Holmes in personal journal, and :iconwindmaedchen: encouraged me to share it here; so here we are. 

Let's face it: I'm not a criminal investigator. Far from it! However, especially because I'm more of an artist, writer, literature lover and conceptionist, the philosophy of logic appeals to me as much as the philosophy of... well, everything! Compared to hard sciences or cold reasoning and analysis, an artist (much like Da Vinci himself) is not restricted by the means and tools at hand, and as such my own philosophy is a complex web of insights taken from the greatest minds and cultures of the world. The following commandments pertain to Sherlock Holmes -- a character imagined by the ingenious writer, physician and logician, Sir Arthur Conan Doyle (Sherlockians! Y U NO LIKE PROF CHALLENGER?) -- and have been compiled by me, from the books, of certain axioms and theories to consider in contemplation and practice. These commandments also increase efficiency of rational thought process, however based on your trades, you are free to disregard some of them. 
  1. From what you see, observe. From what you observe, deduce.The little things are infinitely the most important, and everything in this world is relative.
  2. When you have eliminated the impossible, whatever remains, however improbable, must be the truth. Balancing probabilities and choosing the most likely is the scientific use of the imagination.
  3. It is a capital mistake to theorize before one has data.Insensibly one begins to twist facts to suit theories, instead of theories to suit facts. It biases the judgment. Never guess, as it is a shocking habit — destructive to the logical faculty.
  4. Consider that a man's brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things, so that he has a difficulty in laying his hands upon it. A man should keep his little brain attic stocked with all the furniture that he is likely to use, and the rest he can put away in the lumber-room of his library, where he can get it if he wants it.
  5. It is of the highest importance in the art of detection to be able to recognize, out of a number of facts, which are incidental and which vital. Otherwise your energy and attention must be dissipated instead of being concentrated.
  6. When a fact appears to be opposed to a long train of deductions, it invariably proves to be capable of bearing some other interpretation.
  7. What you do in this world is a matter of no consequence. The question is, what can you make people believe that you have done? 
  8. In solving a problem, the grand thing is to be able to reason backward. There are fifty who can reason synthetically for one who can reason analytically.
  9. (When in abstract analysis) It is of the first importance not to allow your judgment to be biased by personal qualities. A client is a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning.
  10. Never make exceptions. An exception disproves the rule.
  11. (Reinterpreted from William Winwood Reade) "As a single atom man is an enigma: as a whole he is a mathematical problem."  While the individual man is an insoluble puzzle, in the aggregate he becomes a mathematical certainty. You can, for example, never foretell what any one man will do, but you can say with precision what an average number will be up to. Individuals vary, but percentages remain constant. So says the statistician.
  12. Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gently remove the roofs, and peep in at the queer things which are going on, the strange coincidences, the plannings, the cross-purposes, the wonderful chains of events, working through generations, and leading to the most outre results, it would make all fiction with its conventionalities and foreseen conclusions most stale and unprofitable. There is nothing so unnatural as the commonplace.
  13. Singularity is almost invariably a clue. The more featureless and commonplace a crime is, the more difficult it is to bring it home.
  14. Circumstantial evidence is a very tricky thing. It may seem to point very straight to one thing, but if you shift your own point of view a little, you may find it pointing in an equally uncompromising manner to something entirely different.
  15. There is nothing more deceptive than an obvious fact.
  16. Look for consistency. Where there is a want of it we must suspect deception.
  17. As Cuvier could correctly describe a whole animal by the contemplation of a single bone, so the observer who has thoroughly understood one link in a series of incidents should be able to accurately state all the other ones, both before and after.
  18. Violence does, in truth, recoil upon the violent, and the schemer falls into the pit which he digs for another.
  19. Any truth is better than indefinite doubt.
  20. One should always look for a possible alternative, and provide against it.
  21. What one man can invent another can discover.
  22. When water is near and a weight is missing, it is not a very far-fetched supposition that something has been sunk in the water.
  23. I am not the law, but I represent justice so far as my feeble powers go.
  24. Education never ends. It is a series of lessons with the greatest for the last.

Now let us revise the commandments succinctly:
  1. Observe and deduce every little data.
  2. Everything in this world is relative.
  3. When you have eliminated the impossible, whatever remains, however improbable, must be the truth. 
  4. Never theorize before one has data.
  5. Recognize which info is incidental and which vital, otherwise dissipate your focus instead of concentrating. 
  6. A man's brain is like a little empty attic, so stock it with your chosen furniture.
  7. When a fact appears to be opposed to a long train of deductions, it invariably proves to be capable of bearing some other interpretation.
  8. The means are often more important than the results. 
  9. What can you make people believe that you have done in this world? 
  10. In solving a problem, the grand thing is to be able to reason backward.
  11. (When in abstract analysis) The emotional qualities are antagonistic to clear reasoning.
  12. Never make exceptions.
  13. As a single atom man is an enigma: as a whole he is a mathematical problem.
  14. Life is infinitely stranger than anything which the mind of man could invent. There is nothing so unnatural as the commonplace.
  15. Singularity is almost invariably a clue.
  16. Never rely solely on circumstantial evidence, and never fail to look from different points of view.
  17. There is nothing more deceptive than an obvious fact.
  18. Look for consistency. Where there is a want of it we must suspect deception.
  19. Thoroughly understanding one piece of the puzzle will give you insights on the links with the rest. 
  20. Violence begets a backlash.
  21. Any truth is better than indefinite doubt.
  22. Always look for a possible alternative, and provide against it.
  23. What one man can invent another can discover.
  24. Investigate vacancies, odds and discrepancies, because a missing clue is nearly as valuable as additional one. 
  25. Though insignificant, you represent justice.
  26. Never stop learning, because the fruit of labor is nigh. 


Of course, the Philosophy of Science and Logic are far greater subjects than what can be inferenced from Sherlock Holmes (who uses more of systematic deductive means than anything else), but those are something I'll muse with myself (or with anyone interested) later when I have sufficient time. Albeit, I do admit the concise habits and traits of Holmes mark for effective reasoning, and often I blend them with either my own ideas and disposition or those of other great thinkers. 
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Urgent! Looking for Storyboard Artists (and possibly Animators) for web-animation series Polar Detective.

In my previous journal entry I mentioned about working on a web-animation and displayed a teaser trailer. Due to lack of realistic deadlines, the project now requires you to help bring its glory. Collaborators will be credited! A great time to boost your page-views too.

Polar Detective is a web-series, produced and animated by yours truly, along with other artists, writers and voice actors. The story is about this one Sherlock Holmes-esque character (as a baby polar bear) who turns a new leaf to atone for his crimes of stealing food and honey by solving baffling cases. In his adventures with his trusty sidekick (a stoned rabbit) he encounters gruesome villains, , evil capitalists, criminal masterminds, and probably even the devil. It's the kind of story every Sherlock Holmes / heist-genre / teddy bear lovers would love.

I was looking forward to finishing it by October, but unfortunately with two academic eProjects down my throat I've been stretched too thin. With further responsibilities upon my shoulder in the near future, I've realized that I need to distribute some work. As such, I'm looking for a creative / imaginative eyes who can draw Storyboards for certain scenes for the web-series based on the script. Keyframe artists (whether on traditional or tablet artists) are also welcome! Optionally, if you can explain and come up with scene dynamics and aesthetically pleasing cinematography, even better! (Gurren Lagann style? You're my hero!) Any assistance on the art / planning side would help me finish the first episode in time. If you're an animator, though, at least currently (for episode 1) you're required to be knowledgeable in Synfig.

At the same time, I'm also looking for someone who can compose a short opening sequence for the animation, something like this one.

Any help is greatly appreciated!


On a different note: So, who's looking forward to Young Sherlock Holmes - Firestorm? :iconawwwplz:
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First of all, I plead pardon from my watchers for my constant absence. I do ensure, however, that it will all be worthwhile -- for you see, I'm working on an extremely interesting project currently that is bound to get your heart racing for more. For now, I leave you with this trailer: www.youtube.com/watch?v=qL-KXN…

Beyond that, I do have an announcement to make: A friend of mine has recently published a Fantasy-Adventure book, titled "The Vagrant's Tale", which is now on sale via Amazon: www.amazon.com/Vagrants-Tale-C…

"The nations of Skrande and Corsinthia clashed in a holy war for a century of conflict before the war ended. Not because their issues had ever been resolved, but because - after a century - both nations became financially bankrupt. Now charged with the care of Terus Kyreon, the son of a fallen friend, ex-soldier - Jysalef Soresh - hasn't been happy since the war drew to a standstill.

But when an important message sends him - against his desires - traipsing throughout the Corsinthian countryside, things become much more frustrating - and far more interesting - for the embittered vagrant swordsman."


I'm fairly confident about Clovis' skill in delivering an interesting narrative and story, and his writing has almost always won me. I implore, to all my friends and watchers, to buy the book and support the writer for his efforts in achieving something incredible, for I'm sure you wouldn't be disappointed.

The book can be purchased from Amazon for $14.95: www.amazon.com/Vagrants-Tale-C…

And thanks for reading! :iconarigatouplz:
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Featured

Could Photography have killed Illustration? by tushantin, journal

Polar Detective: Next page delayed (kinda) by tushantin, journal

Commandments of Sherlock Holmes by tushantin, journal

Polar Detective - Help Wanted! by tushantin, journal

Published -- The Vagrant's Tale (For Sale!) by tushantin, journal